1/17/2024 0 Comments Sidechain compression logic![]() Over the years, Wheez-ie’s tracks have been remixed by artists such as DJ Assault and Salva, as well as have been played out by prominent forces such as DJ Rashad, Joe Nice, Mala, Ben Klock, Sherelle, A-Sides, the Blessed Madonna, Nina Kraviz, Randomer, Kode 9, Machinedrum and Skrillex, to name a few. In the years that followed, Wheez-ie further deepened his dexterity as a meticulous producer, with his catalog growing to include releases on labels such as Fools Gold, THEM, Nest HQ, Craigie Knowes’ C-No-Evil, Fat Kid On Fire and Evar Records. With the blessing of DJ Rashad, he released his debut EP, All Werked Up, on Brighton’s Well Rounded in 2011, later going on to put out the late footwork pioneer’s posthumous We On 1 EP through his independent label Southern Belle Recordings in 2014. With a fervent passion for the craft and culture of electronic music deeply ingrained in his artistry, Wheez-ie has dedicated more than half his life to continually setting his own bar high as a virtuosic mixing DJ and masterfully utilizing different facets of his robust production style to push sonic boundaries. Matt Mauldin aka Wheez-ie is a Houston-raised, Los Angeles-based DJ, producer and audio engineer. To really start getting that pumping feeling within the track, he experiments with the threshold and ratio settings, modulating how much of the kick cuts through the mix. He cycles through the different versions of the compressor to find one that emulates a more classic hardware bit of kit, the Classic VCA, before A/Bing the track with and without the compressor switched on. To start creating this sound, Matt fires up Logic Pro and adds the DAW’s stock Compressor plugin to the master channel. Alternatively, if you’re looking to study with Point Blank in London or online, we have a range of degree courses which specialise in music production and sound engineering. If you’re keen to learn more music production skills, much like this one, then be sure to check out our music production courses in Los Angeles. ![]() This sidechaining technique is still equally as relevant today as it was in the ’90s. This is especially great for kick-heavy tracks, as it keeps this element prominent in the mix. The pumping sound is created by using the kick drum to trigger the compressor, making the other elements in the track duck out around it. Using the Alesis 3630 Compressor, this technique was made famous over a decade ago by Daft Punk and other French house artists. In this music production tutorial, Matt Mauldin, one of our Point Blank LA instructors, shows how you can create that distinctive ’90s pumping compression sound.
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